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"Jürgen Stars (born 24 June 1948) is a former professional footballer from Germany who played goalkeeper in the Bundesliga and the North American Soccer League. Senior career Jürgen Stars began his professional career in 1967 in his hometown, with 1. FC Phönix Lübeck in the Regionalliga Nord. Also playing for Phönix Lübeck that season was defender Peter Nogly, who would later become Stars' teammate twice more at Hamburg and Tampa Bay.Homann, Ulrich. (1990). Höllenglut an Himmelfahrt . Die Geschichte der Aufstiegsrunden zur Fußballbundesliga 1963-1974. Essen, Germany. Klartext-Verlag. After four seasons in Lübeck, he joined SV Röchling Völklingen who were initially playing in the Regionalliga Südwest. Stars played there from 1971 to 1977, and under coach Helmuth Johannsen the Völklingen squad twice finished as runner-up 1972 and 1973 in the Bundesliga promotion round. In 1974 his team gained promotion to the 2. Bundesliga South. Between 1974 and 1977, he played in 112 league games at Völklingen.Hoffmann, BF. (2003). Das große Lexikon der Bundesligatorhüter. Berlin, Germany. Schwarzkopf & Schwarzkopf. By signing with Hamburger SV in 1977, Stars finally made it to top-flight European football in the Bundesliga. However, he saw limited action in three seasons, serving mostly as the back-up to Rudi Kargus, who was a fixture in goal at HSV. He only played two league games, but was a member of Hamburg's 1979 Bundesliga champion team.http://hsv-history.de/tag/juergen-stars While in HSV he appeared in several DFB-Pokal matches and one Cup Winners' Cup match. He also played in the first leg of the 1977 European Super Cup, a 1–1 draw against Liverpool F.C. In 1980 Stars moved to newly promoted second division side VfR Bürstadt. There he appeared in 25 matches, helping VfR to 13th place in the table. However, since it was the final year that the 2. Bundesliga used the two-track system, Buerstadt was nevertheless relegated in the Amateur Oberliga Hessen for 1981–82.Weinrich, Matthias (2001). Zweitliga-Almanach. Kassel, Germany. Agon-Sportverlag. Beginning in 1981 Stars also played four years in the NASL, initially for the Calgary Boomers. He then briefly returned to Hamburg before joining Tampa Bay Rowdies during their march to 1981–82 indoor finals. He played three indoor seasons and two outdoor campaigns in Tampa, before moving on to the Tulsa Roughnecks for the 1984 outdoor season. As the starting goalie in Tampa, he won one indoor title in 1983https://news.google.com/newspapers?id=qcJaAAAAIBAJ&sjid;=HFkDAAAAIBAJ&pg;=2106,1706476&dq;=championship+effort+carried+rowdies&hl;=en as well as a runner-up finish in 1981-82.https://news.google.com/newspapers?nid=1964&dat;=19820331&id;=fYBXAAAAIBAJ&sjid;=tjsNAAAAIBAJ&pg;=6819,8303699 The NASL folded before the 1985, and Stars returned to West Germany. He finished his club career at Altona 93 and VfL Pinneberg. Over the course of his playing days, Jürgen Stars was a teammate of such luminaries as Kevin Keegan, Ivan Buljan, Arno Steffenhagen, Franz Gerber, Hugo Perez, Tatu, and Roy Wegerle, among others. Because of some previous police training, he earned the nickname "Starski" -a reference to the popular television police drama Starsky & Hutch. Retirement After his retirement he served as an assistant coach or goalkeeper coach at several German clubs, including HSV in 1996–97 and SV Halstenbek-Rellingen in the Hamburg Oberliga in 2010. He has referred to his time with Tampa Bay in the NASL as "the best time of my life."http://www.hsvfan-oberpfalz.de/hsv_spieler/hsv-spiel-st.html HonorsRöchling Völklingen= *Regionalliga Südwest runner-up: 1971–72, 1972–73 =Hamburger SV= *Bundesliga Champion: 1978–79 *European Cup runner up: 1979–80 *Bundesliga runner-up: 1979–80 *European Super Cup runner-up: 1977 =Tampa Bay Rowdies= *NASL indoor Champion: 1983 *NASL indoor runner-up: 1981–82 *NASL indoor All-star: 1981–82 ReferencesExternal links *NASL stats * Category:1948 births Category:Living people Category:Sportspeople from Lübeck Category:Footballers from Schleswig-Holstein Category:German footballers Category:Association football goalkeepers Category:Bundesliga players Category:2. Bundesliga players Category:Calgary Boomers players Category:Expatriate soccer players in Canada Category:Expatriate soccer players in the United States Category:Hamburger SV players Category:North American Soccer League (1968–1984) players Category:North American Soccer League (1968–1984) indoor players Category:Tampa Bay Rowdies (1975–1993) players Category:Tulsa Roughnecks (1978–1984) players Category:West German expatriate footballers Category:West German expatriates in Canada Category:West German expatriates in the United States Category:West German footballers "
"#CharlestonSyllabus (Charleston Syllabus), is a Twitter movement and crowdsourced syllabus using the hashtag #CharlestonSyllabus to compile a list of reading recommendations relating to the history of racial violence in the United States. It was created in response to the race-motivated violence in Charleston, South Carolina on the evening of June 17, 2015, when Dylann Roof opened fire during a Bible study session at Emanuel African Methodist Episcopal Church, killing 9 people. These texts provide information about racial violence in the United States and provide background on the history of race relations in South Carolina in particular and the United States in general. They also offer education on race, racial identities, global white supremacy and black resistance. Several of the suggested readings shed light on race and racism on a global scale. On June 23, 2015, NPR's Renee Montagne reported on Morning Edition that "academics, librarians and history students have been rallying around the hashtag Charleston Syllabus, suggesting readings that might help inform the public of some of the city's history." "#Charlestonsyllabus is more than a list. It is a community of people committed to critical thinking, truth telling and social transformation.”– Chad Williams "In so many ways, the #Charlestonsyllabus is a testament to the power of Twitter as a central medium for educators to engage and strategize with members of the general public. What the #Charlestonsyllabus has done is bring together people from all walks of life who are deeply committed to social justice and determined to make a difference."- Keisha N. Blain Background Twitter campaigns utilizing hashtags to generate crowdsourced lists of information sources widely excluded from academic canons emerged throughout 2014 and 2015. The most notable example of this trend is the #FergusonSyllabus, created by Georgetown University Professor Marcia Chatelain in the aftermath of the Ferguson uprising. The #CharlestonSyllabus campaign was the brainchild of Chad Williams, Associate Professor of African and Afro- American Studies at Brandeis University. The concept came from a tweet of his: "Lots of ignorance running rampant. Folks need a #CharlestonSyllabus." Williams later stated that Roof's killing spree brought national attention to the country's history of racial injustice. Historians Keisha N. Blain, Kidada Williams, and others helped to circulate the hashtag and #CharlestonSyllabus started trending on Twitter by the evening of June 19, 2015. With the assistance of librarians Melissa Morrone, Ryan P. Randall, and Cecily Walker, Blain compiled and organized the reading list on the website of the African American Intellectual History Society (AAIHS). Within the first day of use, the hashtag generated approximately 10,000 tweets. Librarians across the nation assisted in culling and categorizing suggestions made via Twitter, also tagging the entries in WorldCat, a web resource for locating materials at nearby libraries, on the AAIHS website. More than 115, 000 visitors have accessed the list and several libraries across the country have featured #Charlestonsyllabus displays. Since its debut, the #Charlestonsyllabus has been featured on major news outlets including BBC, PBS, NPR, LA Times, New York Times, and the Chronicle of Higher Education. Chad Williams, Kidada Williams, and Keisha N. Blain recently edited a book based on the syllabus entitled Charleston Syllabus: Readings on Race, Racism, and Racial Violence (University of Georgia Press, 2016). =Twitter Historians= The emergence of academic crowdsourcing on Twitter can, in large part, be contributed to the #Twitterstorians and #BLKTwitterstorians hashtag trends. In February 2014, the Pew Research Center defined six different kinds of network crowds, which they called "conversational archetypes", on Twitter, using NodeXL. The Twitterstorians channel is what the research defines as a "tight crowd network". References External links * Keisha N. Blain, #CharlestonSyllabus," African American Intellectual History Society. * Chad Williams, "#Charlestonsyllabus and the Work of African American History," 23 June 2015, The African American Intellectual History Society Blog. * Michael Schaub, "What to Read to Understand Charleston Attack: A Crowdsourced Syllabus," 22 June 2015, The Los Angeles Times. * Jeff Charis-Carlson, "Historians Work to Put Charleston Shooting in Context," 22 June 2015, Iowa City Press-Citizen. * Daniel Rivero, "How #Charlestonsyllabus Went from a Hashtag to a Major Educational Resource in Less than a Week," 23 June 2015, Fusion.net. * Matt Collette, "Teaching With the #CharlestonSyllabus," 30 June 2015, School Library Journal. * Stacey Patton, "A Professor Crowdsources a Syllabus on the Charleston Shootings," June 23, 2015, The Chronicle of Higher Education. * Chad Williams, "Why I Founded the #CharlestonSyllabus after the Charleston Shooting," 9 July 2015, PBS Newshour. Category:Black Twitter Category:2015 establishments in the United States Category:Charleston church shooting "
"Young Lord Stanley, possibly re-issued as His Only Son, is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Jack Stanley who is disinherited by this father, Lord Stanley, for refusing to marry his cousin. Jack heads to America and takes a job as a groom. He is dismissed from his position after his employer learns of Jack's affections for his daughter, Ann. Meanwhile, Lord Stanley decides to reinstate Jack in his will and then promptly dies, giving him his entire fortune. Jack reads of his father's death in the newspaper and learns of his father's will. The film concludes with the lawyer bringing Jack to a dinner party as "Lord Stanley". Ann's father wishes for her to earn his affections, but she is defiant and does not even look at him. Once she learns it his Jack, they kiss. The scenario was written by Lloyd Lonergan and the only known actor is Justus D. Barnes as Ann's father. A surviving print of the film exists in the Library of Congress and it shows the improvement of the Thanhouser interior sets over films from months prior. The film was released on October 25, 1910, and was met with mixed reviews. Plot Jack Stanley is disinherited by his father, Lord Stanley, because he refuses to marry his cousin, Lady Maude. Jack emigrates to America, but has no money and has no job upon which to sustain himself. While pondering his actions, he witnesses a trio of riders approach and speak to him. He accepts a position as a groom for a wealthy American, but he falls in love with his daughter, Ann. When her father learns of this, he dismisses Jack and Ann says she will never marry anyone but him. Meanwhile, Lord Stanley has come to forgive his son and decided to reinstate him in his will. No sooner has the task been completed does Lord Stanley suddenly dies. Upon reading the paper, Jack sees an advertisement about the heir of the late Lord Stanley. He heads to Hotel Astor and learns that he has received his father's entire fortune. The lawyer accepts a dinner invitation at the wealthy American's house and brings along Jack. The father urges his daughter to win the affections of the rich, handsome and unmarried young Lord Stanley. Upon his arrival, the father who had shunned him is taken aback and greets him, but Ann refuses to even look at the guest. She ignores him, and refuses to face him even as they head towards the dining room, but Jack attempts to kiss her and she pulls away. Suddenly, Ann sees it is Jack and embraces him with a kiss. Cast *Jack (Young Lord Stanley) - Unknown actor *Lord Stanley - Unknown actor *Ann (the girl) - Unknown actress *Justus D. Barnes as Ann's father *Snaith the lawyer - Unknown actor Production The script for the production was written by Lloyd Lonergan, an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. The film director is unknown, but it may have been Barry O'Neil. Film historian Q. David Bowers does not attribute a cameraman for this production, but at least two possible candidates exist. Blair Smith was the first cameraman of the Thanhouser company, but he was soon joined by Carl Louis Gregory who had years of experience as a still and motion picture photographer. The role of the cameraman was uncredited in 1910 productions. The other cast credits are unknown, but many 1910 Thanhouser productions are fragmentary. In late 1910, the Thanhouser company released a list of the important personalities in their films. The list includes G.W. Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters. The production of the film shows the continuing improvement of Thanhouser works, specifically for more realistic interior scenes, over those shot in the months prior. The progress referred to here is the improvement from works like The Two Roses. The interior sets are still very small, but the exterior shots show strength in their variety. Bowers believes that the uncommon surname, Snaith, is of some importance to Lonergan because of its reoccurring usage, including the titled works Miss Arabella Snaith and Professor Snaith. An analysis of the frame showing the newspaper advertisement shows that it was from a real newspaper dated from September 21, 1910. The title of the film might possibly be a reference to "Lord Stanley", the courtesy title of the heir apparent of the Earl of Derby. At the time of the production Edward Stanley, Lord Stanley, was "Lord Stanley". Release and reception The single reel drama, approximately 1,000 feet long, was released on October 25, 1910. The film was originally released a Young Lord Stanley, but the surviving print from the Library of Congress has "His Only Son" as what appears to be the title of the print. Bowers notes that this first card is in a different format from the other inter-titles which follow and may have been a replacement or alternate name for the print. The surviving print is 928 feet long, and its shown length is 13 minutes and 35 seconds. The film likely had a wide national release, advertising theaters are known in Kansas, Indiana, and Pennsylvania. Walton of The Moving Picture News said the film was, "A bright, clean, human interest tale. It holds the attention from beginning to end. A thoroughly commendable reel - in every way." The Moving Picture World offers a summary of the work and was more or less neutral in its review of the film. The reviewer states, "It is a romantic picture, affording ample opportunity for the imagination to run riot in a number of different directions. ... Much of human nature is disclosed in this film, even though it is, in a way, a travesty upon the way wealthy girls often fall in love with stablemen or others employed about their fathers' places." The New York Dramatic Mirror was not very critical, but not offering any praise either. The reviewer highlighted the "common fault of actors" by throwing things on the floor and how Ann's refusal to even look at the titled guest was overdone. See also * List of American films of 1910 References Category:1910 films Category:1910 drama films Category:American drama films Category:American films Category:American silent short films Category:American black-and-white films Category:Thanhouser Company films Category:Films set in New York City "